All Set Texts and Analysis x2

Tide Print Advert

 Media Language:

Ideology
Polysemy
Mise-en-scene
Costume
Lexis
Intertextuality

 Representation:

 Stereotypes
Hegemony
Subvert/reinforce
Polysemy
Ideology

 Audience:

 Audience Targeting
Audience Positioning
Audience Appeal
Reception Theory
Audience Responce
Audience Interpretation
Socio-economic status

 Industry:

 Regulation
Distribution
Conglomoration
Horizontal/Vertical integration
Cultural Industries
Production
Economic Factors
Marketing/Promotion
Digital Production
Ownership
Digital Convergence

 Wateraid Audiovisual Advert

 Media Language:

Ideology
Polysemy
Mise-en-scene
Costume
Lexis
Intertextuality

Representation:

Stereotypes
Hegemony
Subvert/reinforce
Polysemy
Ideology

Audience:

Audience Targeting
Audience Positioning
Audience Appeal
Reception Theory
Audience Responce
Audience Interpretation
Socio-economic status

Industry:

Regulation
Distribution
Conglomoration
Horizontal/Vertical integration
Cultural Industries
Production
Economic Factors
Marketing/Promotion
Digital Production
Ownership

Digital Convergence

 Kiss of the Vampire

 Media Language:

Ideology
Polysemy
Mise-en-scene
Costume
Lexis
Intertextuality

Representation:

Stereotypes
Hegemony
Subvert/reinforce
Polysemy
Ideology

Audience:

Audience Targeting
Audience Positioning
Audience Appeal
Reception Theory
Audience Responce
Audience Interpretation
Socio-economic status

Industry:

Regulation
Distribution
Conglomoration
Horizontal/Vertical integration
Cultural Industries
Production
Economic Factors
Marketing/Promotion
Digital Production
Ownership

Digital Convergence

 Formation: Beyonce (2016):

 Media Language:

Ideology
Polysemy
Mise-en-scene
Costume
Lexis
Intertextuality

Representation:

Stereotypes
Hegemony
Subvert/reinforce
Polysemy
Ideology

Audience:

Audience Targeting
Audience Positioning
Audience Appeal
Reception Theory
Audience Responce
Audience Interpretation
Socio-economic status

Industry:

Regulation
Distribution
Conglomoration
Horizontal/Vertical integration
Cultural Industries
Production
Economic Factors
Marketing/Promotion
Digital Production
Ownership
Digital Convergence

 Riptide: Vance Joy (2013)

 Media Language:

Ideology
Polysemy
Mise-en-scene
Costume
Lexis
Intertextuality

Representation:

Stereotypes
Hegemony
Subvert/reinforce
Polysemy
Ideology

Audience:

Audience Targeting
Audience Positioning
Audience Appeal
Reception Theory
Audience Responce
Audience Interpretation
Socio-economic status

Industry:

Regulation
Distribution
Conglomoration
Horizontal/Vertical integration
Cultural Industries
Production
Economic Factors
Marketing/Promotion
Digital Production
Ownership

Digital Convergence

 The Daily Mirror

 Media Language:

Ideology
Polysemy
Mise-en-scene
Costume
Lexis
Intertextuality

Representation:

Stereotypes
Hegemony
Subvert/reinforce
Polysemy
Ideology

Audience:

Audience Targeting
Audience Positioning
Audience Appeal
Reception Theory
Audience Responce
Audience Interpretation
Socio-economic status

Industry:

Regulation
Distribution
Conglomoration
Horizontal/Vertical integration
Cultural Industries
Production
Economic Factors
Marketing/Promotion
Digital Production
Ownership
Digital Convergence

 The Times:

 Media Language:

Ideology
Polysemy
Mise-en-scene
Costume
Lexis
Intertextuality

Representation:

Stereotypes
Hegemony
Subvert/reinforce
Polysemy
Ideology

Audience:

Audience Targeting
Audience Positioning
Audience Appeal
Reception Theory
Audience Responce
Audience Interpretation
Socio-economic status

Industry:

Regulation
Distribution
Conglomoration
Horizontal/Vertical integration
Cultural Industries
Production
Economic Factors
Marketing/Promotion
Digital Production
Ownership

Digital Convergence

 Straight Outta Compton (2015)

 Media Language:

Ideology
Polysemy
Mise-en-scene
Costume
Lexis
Intertextuality

Representation:

Stereotypes
Hegemony
Subvert/reinforce
Polysemy
Ideology

Audience:

Audience Targeting
Audience Positioning
Audience Appeal
Reception Theory
Audience Responce
Audience Interpretation
Socio-economic status

Industry:

Regulation
Distribution
Conglomoration
Horizontal/Vertical integration
Cultural Industries
Production
Economic Factors
Marketing/Promotion
Digital Production
Ownership

Digital Convergence
I, Daniel Blake (2016)

 Media Language:

Ideology
Polysemy
Mise-en-scene
Costume
Lexis
Intertextuality

Representation:

Stereotypes
Hegemony
Subvert/reinforce
Polysemy
Ideology

Audience:

Audience Targeting
Audience Positioning
Audience Appeal
Reception Theory
Audience Responce
Audience Interpretation
Socio-economic status

Industry:

Regulation
Distribution
Conglomoration
Horizontal/Vertical integration
Cultural Industries
Production
Economic Factors
Marketing/Promotion
Digital Production
Ownership

Digital Convergence

 Late Night Women's Hour

 Media Language:

Ideology
Polysemy
Mise-en-scene
Costume
Lexis
Intertextuality

Representation:

Stereotypes
Hegemony
Subvert/reinforce
Polysemy
Ideology

Audience:

Audience Targeting
Audience Positioning
Audience Appeal
Reception Theory
Audience Responce
Audience Interpretation
Socio-economic status

Industry:

Regulation
Distribution
Conglomoration
Horizontal/Vertical integration
Cultural Industries
Production
Economic Factors
Marketing/Promotion
Digital Production
Ownership
Digital Convergence

 Assassin's Creed: Liberation (2012)

 Media Language:

Ideology
Polysemy
Mise-en-scene
Costume
Lexis
Intertextuality

Representation:

Stereotypes
Hegemony
Subvert/reinforce
Polysemy
Ideology

Audience:

Audience Targeting
Audience Positioning
Audience Appeal
Reception Theory
Audience Responce
Audience Interpretation
Socio-economic status

Industry:

Regulation
Distribution
Conglomoration
Horizontal/Vertical integration
Cultural Industries
Production
Economic Factors
Marketing/Promotion
Digital Production
Ownership
Digital Convergence

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